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Flash Pentax AF200T

After some disappointing experiences with flashing Sunpak and Cobra I made a decision: for flash, as the objectives and enclosures remain faithful to the constructor. And therefore, the Pentax. I bought a fully automatic flash (AF330FTZ), but I wanted more control over what I did: T-Series was so perfect for me. So I bought it on ebay U.S., arrived a few days back home in time for Christmas ...

• type electronic flash to TTL or standalone, fixed head
• Manufacturer: Pentax
• Model: Pentax AF200T
• Guide Number: 20m at 100ISO
• Modes: TTL Auto (two modes), manual (full power 1 / 2, 1 / 4 or 1 / 8)
• Date Purchase: 21 December 2007.

This flash has several advantages and a disadvantage. Benefit # 1: it is tiny, fits easily into a tote picture even if you are not sure in need. Advantage No. 2: the wealth of manual mode, which allows fine control of power. The disadvantage: the fixed head, making it difficult to operate bounce flash - not in auto mode, anyway, since in this case means that the cell is correctly aligned with the target.

the sum of these benefits and this drawback: the flash is ideal if you want to use in filling. Remember what it is: we want to photograph a scene reasonably informed, but the preliminary plan may be somewhat offset by the lighting of the background. typiqeue case: the portrait outside when the subject does not face the light.

In this case, it sets the aperture and exposure time as if there had not flash (ensuring However, that speed is greater than or equal to the flash sync speed of the housing, a fast film may thus be a problem). And adjust the flash so that its flash is one-quarter to half the power it would if it were a pure flash picture. For that, using a flash cell, we can simply make him believe that the sensitivity of the film is two to four times higher than it actually is, otherwise he must juggle the openings and power setting.

In any case, it is a very convenient flash, well built, not Cell too greedy to boot.

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Film Ilford HP5+ (format 135)

I told you about this film for the 120 format and is also my favorite movie in black and white for fast 24 × 36.

• type film reversal panchromatic black and white
• Manufacturer: Harman Ilford
• Type: HP5 +
• nominal Sensitivity: ISO 400/27 °
• Format: 135 (24 × 36); also available in rolls and sheets 120 different formats
• Dates of production: since 1989 (replaces HP5, produced since 1976, and HP4, produced since 1965).

A subtle movie and great versatility at its nominal sensitivity, a little trickier for exposure when pushed (I have not tried to push him over 800, but we can push for an EV without additional problem, in principle).

short: for portraits in natural light, even indoors, which have tails; I also like the pictures of machines for example.

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Film Fuji Superia Reala 100

In contrast to the Pro800Z Scale sensitivities: Fuji Reala 100 - Fuji Superia Reala or: as for Acros 100 , nominally integrated into the range Neopan Fuji chose commercialize Reala 100 as part of the consumer line Superia. Who knows why.

• Type: color reversal film
• Manufacturer: Fujifilm
• Type: Superia Reala 100
• nominal Sensitivity: ISO 100/21 °
• Format: 135 (24 × 36)

In fact, if I know why: the film called "professionals" are actually films made for the portrait, the last stronghold of the negative film among professional photographers is the wedding photo. The Reala 100, with its very bright tones and colors rather hot, would easily pass the bride for more pintée it really is ...

Basically, this is a film designed for the landscape - specifically the niche of the Superia range. That said, I find this film much more interesting than Superia 200 and 400, presumably because its sensitivity allows the effects of depth of field talking. In any case, for me, the film was perfect.