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Two legends are built in Nolan's latest film, one is the mystery, and the other key exuberance and violence. These are two antagonists who dictate the rules of the game and eventually disappear, leaving traces.
Different film adaptations of Batman often leave the actor's performance to the wicked, let us remember Jack Nicholson as the Joker and the intelligence of Danny DeVito in the guise of the penguin. Bruce Wayne, played by George Clooney and Mick Keaton in the disastrous attempts to transpose to the screen by Joel Schumacher, is still a character trapped in the myth he built. This is the path explored by Nolan as a man trapped in his will and tries to find his identity by confronting similar who has lost his to compose another.
In these dark images imbued with uneasiness of a city, perhaps symbolic of a nation, two men clash. In fact Batman is not a super hero in the true sense of term because he has no superpowers, Bruce Wayne uses the technological innovations that the company is able to produce in order to overcome the limits of its physical conditions. He is a man, and man is just as it is pushed to the test of choice. What is needed is it fair? The film works as a story of initiation for both the protagonist and the viewer. "I learn from my mistakes," says Bruce Wayne, who acts knowing that he is mortal needs reassurance.
The choice is made according to the proposals to the contrary, "we must save Rachel / do not save Rachel. Choosing a proposal results in a other, if not stop the Joker, Batman must deal with the underworld. And then a multitude of proposals offered to a man who is unable to master them all. Indeed, the property does not control the situation, the Joker, Evil, which dictates its rules because the rules are those established by destroying the good. The film
system seems to work well, and show something that opposes it. It's a clean way to films of the genre but Nolan is appropriate to explore the original topics. The most important one, which determines the events and how to see the movie, is that of identity. The work Nolan has continued to dive, but now makes his film a strange echo with the specific real contemporary American cinema in post 11. If Memento already proposed the idea of a constant search for identity, The Dark Knight issues in parallel its creation and preservation.
Batman and the Joker are two antagonists. The position of one who sees the picture is different with respect to one or the other character. Batman is Bruce Wayne, the viewer knows his identity and he knows he is a man. The Joker is no one, Inspector Gordon tells the mayor that he has no identity. This position is frustrating for person looking at the picture, because the exuberant character, who is seen in the picture seems to be a ghost. The first plane where it appears in the film gives no indication on his arrival in the city, it is there like an apparition.
games of the two actors seem so inconsistent with their positions in history. He who has everything, the famous man, played by Christian Bale, has a certain restraint, calm in speech. Batman is erased as his game is not bland, but he chose discretion. While the monster that we know absolutely nothing becomes "the freak", the beast exuberant, subject to uncontrollable violence speech and body. The violence exposed it appears, as shown in the scene where the Joker uses the medium of television. The Joker has no identity, so all he can do is build one, creating a legendary monstrosity that is working to its existence hence the disinterest in money. He knows it exists because it destroys.
In contrast to this situation has an identity that Batman must keep secret and he fights for Bruce Wayne does not disappear in favor of Batman. It is the strangeness, the mystery that drives the Joker to build a legend of the exuberant violence, as Bruce Wayne, the necessary action (save the city) forces him to become a legendary mystery. However, the viewer's position is different from that of the citizen of Gotham City. He knows the identity of Batman and the Joker does not know that, while the citizens of Gotham in the actual film at all costs wants to know the identity of Batman to escape the identity imposed by the Joker, because citizen's identity is the identity of the city, and the Joker was modeled in his image, that of a deep descent into disaster.
The Joker wants to virtualize his life, and beyond any relationship to reality he can destroy the other real. The Dark Knight is not a film about the contest between good and evil, but on that between the real and the virtual, whose fates are opposed, unity and stability (victory over the ferry) against disaster. But only those who know the identity and in danger fighting for real, like Bruce Wayne, who are gradually losing identity in favor of Batman, which eventually destroys his legend in the eyes of the citizens of Gotham City to allow another to the viewer. Moreover, it is no accident that the Joker chooses schizophrenics to strengthen his troops, he seeks those who like him have an identity disorder, missing or malleable. In this sense
Harvey Dent situation is interesting because it is the character who swings from one side to another. At first, like his play fake, it has only one face, that of integrity and moral rectitude, then a tragic event led to the death of the woman he loves and he loses some of his face. Family, anticipated future, and face symbolize the identity of Harvey Dent, he loses it and suddenly taken aback, thrown violently out of his relationship with reality, he chose to play the principle of reality. Believing in justice, fairness of such a game, it is already beginning to build a new virtual identity.
There are no heroes in the film only men who perform the necessary actions that are the hardest to achieve, so a prisoner can do the reasonable choice and rise against other men not because that he is a hero but because he has struggled to act. We fight with each other or with either yourself. But we always fight for the same thing, its identity, integrity when considering the real, self-destructive (Harvey Dent ad in the final scene he has no intention of living out of the hangar and the Joker continues to run to death) if we choose the virtual.
The fighting issues for the political future of the city. In fact, The Dark Knight is a political film emblematic of a nation that suffers, whose wounds are not yet fully abated, and who seek the path that he must take. The choice of Batman, the choice of reality, identity preserved, it is the choices made by citizens of Gotham City on the ferry. Batman's struggle is also theirs, you just need a man faces another so that everyone can live together. Gordon does not tell him he is a hero but he is doing the actions necessary for the stability and unity. In this sense the need is not just, as to save the city of his downfall, Batman kills his own myth in the eyes of citizens and leaves a legend at the viewer, that of a man who reunited the city.